| Time |
Place |
Academic
Program |
Social
Program |
| 9:00
- 10:30 am. |
PANEL
SESSION 2 |
|
| Panel
5
Main Lecture Hal
|
Panel
6
Lecture Room
|
Panel
7
Room 2
|
Panel
8
Room 3 |
|
Chair:
Nieves Alberola
(15)
Joana María Cladera Socies (U.
de les Illes Balears): “Resisting Violence
in Times of Conflict: Transgressive
Uses of the abaya in Heather Raffo’s
Nine Parts of Desire”.
(23)
Ana Fernández-Caparrós
Turina (U. Complutense, Madrid): “The
Locus of Violence in Sam Shepard’s Drama:
The Curse of the Starving Minds”.
(62)
Michael Solomonson (Northland Pioneer
College, Arizona): “Rebecca Gilman’s
Exploration of Gender Conditioning as
a Factor in Violence Against Women”.
(46)
Mª Dolores Narbona Carrión
(Universidad de Málaga): “’Arms
in Women’s Hands’: The Subversion of
the Victim Role of Women in Heather
McDonald’s Dream of a Common Language”.
|
Chair:
Juan Carlos Hidalgo
(31)
Araceli González Crespán
(U. de Vigo): “Social and Institutional
Violence and the Definition of the Self
in The Children’s Hour”.
(71) Ana Zamorano (UNED): “’Your Body
Is a Battleground’: Split Britches Exposure
(Gender and Homophobic Violence on the
Stage”.
(52)
Inmaculada Pineda Hernández (Universidad
de Málaga): “Homophobic Violence
in the Works of Contemporary African
American Women Playwrights: Two Different
Approaches”.
|
Chair:
Ramón Espejo
(16)
Elena Ramona Cojocaru (Allcuza University,
Lasi, Romania): “Arthur Miller –Violence,
Guilt and Responsibility Within the
Individual”.
(25)
Peter W. Ferran (Rochester): “Violence
and Vaudeville in American Epic Theatre:
Lawson’s Processional, Miller’s The
American Clock”.
(64)
Ernesto Suárez Toste (U. de Castilla-La
Mancha): “Living with Violence: The
Secrets of Anguished American Households
of the 1950s”.
|
Chair:
Maribel Calderón
(26)
Lesley Ferris (Ohio State University):
“’Lethal Currents’: Sophie Treadwell’s
Machinal and Staging Execution”.
(70) Elizabeth Whitmore (Loyola Marymount
University): “’There’s so Much I Want
to Tell Her’: Sophie Treadwell’s Machinal
and the Transference of Femininity”.
|
| 10:30–
11:00 am |
Faculty
patio |
Coffee
Break
(identity badge required)
|
| 11:00
-
12:15 am
|
Main
Lecture Hall
(2nd floor)
|
Plenary
Lecture
Prof. Barbara
Ozieblo, University of Málaga
"Empathy or Distance? How to
Deal with the Representation of Violence"
(Chair: Ramón Espejo)
|
| 1:00
–2:00 pm |
Town
Hall |
|
1:00
pm
Official Reception at the Town
Hall
(meeting point: Faculty main entrance
at 12:30 pm) |
| 2:00
pm |
Faculty
of Economics.
Dining room
|
Lunch
(identity badge and ticket required) |
|
| 4:30
– 6:00 pm |
PANEL
SESSION 3 |
Panel
9
Main Lecture Hall
|
Panel
10
Lecture Room
|
Panel
11
Room 2
|
Panel
12
Room 3 |
|
Chair:
Maribel Calderón
(38)
Emily Kelly-Padden (Southern Illinois
University, Carbondale): “Before You
Accuse Me: Verbal Violence on Our Stages”.
(59)
Aurélie Sanchez (U. of Toulouse):
“’He’s still Talking and There Is No
Escape’: The Violence of Language and
the Ambivalence of Silence in Three
Plays by Eugene O’Neill”.
(58)
Isaac Sacristán Puig (Universidad
Complutense de Madrid): “Brownsville
Girl: Language and Violence in Sam Shepard’s
Tooth of Crime”.
(43)
Yiyi López Gándara (Universidad
de Sevilla): “Threats, Bad Language
and Imperatives: Verbal Violence in
Politically (In)Correct Institutional
Speech in American Drama at the End
of the Millennium”.
|
Chair:
Dolores Narbona
(60)
Philip E. Smith (U. of Pittsburgh):
“’Cut You if You Stand Still, Shoot
You If You Run’: Violence, Memory, and
Blues Advice in August Wilson’s Century
Cycle”.
(54)
Diana Rosenhagen (U. of Goettingen):
“’Actual Explosions and Actual Brutality’.
Violence and the Black Arts Stage”.
(13) Ana Chapman (U. de Málaga):
“The Rebellious Self: Postmodern Violence
in Amiri Baraka's Dutchman.”
|
Chair:
Inma Pineda
(5)
Anne Beggs (Cornell University): “The
Guns Sing in Harmony: Johnny Johnson
and the Musical War”.
(49) Elizabeth Osborne (Florida State
University): “’The People Rises; the
Storm Breaks Loose: Violence, Truth
and Fiction in the Federal Theatre Project’s
‘Professor Hamlock’”.
|
Chair:
Bernardo Muñoz
(4)
Claudia Barnett (Middle Tennessee State
University):
“Fear as Violence: Three Generations
of Agnes in A Bright Room Called
Day”
(47)
Peter Neumann (U. de Zaragoza): “Subjective,
Systemic and Symbolic Violence in Tony
Kushner’s Homebody/Kabul”.
|
| 6:00-
6:30 pm |
Faculty
patio |
Coffee
Break
(identity badge required)
|
| 6:30
– 8:00 pm |
PANEL
SESSION 4 |
Panel
13
Lecture Room
|
Panel
14
Room 2
|
Panel
15
Room 3 |
|
Chair:
Juan Carlos Hidalgo
(9)
Johan Callens (U. of Brussels): “Amos
Poe’s Neo-Noir Stage, or, David Mamet
Poised Between Parody, Pastiche, and
Critique”.
(30)
Steffen J. Gerz (U. of Bonn – Rheinische-Friedrich-Wilhelms):
“Drama – Performance – Professional
Wrestling – Violence on the ‘Wrestling
World Stage”.
(33)
Richard Hayes (Waterford Institute of
Technology, Ireland): “Clifford Odets
and Movie Violence”.
(37)
Susan Kattwinkel (College of Charleston):
“Boxing on the Variety Stage”.
|
Chair:
Ramón Espejo
(7)
Jorge Braga Riera (U. Complutense, Madrid
/ U. Felipe II): “Translating Violence
for the American Stage: US Productions
of Spanish Classical Theatre”.
(51)
Rui Pina Coelho (Lisbon U.): “Be Violent
Again. Violence in Realism (1950-1990):
Two Portuguese Performances”.
(67)
Pao-Hsiang Wang (National Taiwan U.):
“Staging Chinese Revolutions in America
After Tiananmen”.
|
Chair:
Drew Eisenhauer
(21)
Thierry Dubost (Université de
Caen Basse-Normandie): “From Deck to
Street: Fighting Sailor in O’Neill’s
Early Plays”.
(8)
Annalisa Brugnoli (Venice University):
“’The Man Was Dead and So He Had to
Kill the Things He Loved’. Violence,
Self-Violence and Medusation in Eugene
O’Neill’s Maturity Plays”.
|
| 8:30
pm |
|
|
8:30
pm
La
Tía Norica Company Puppet
Show:
“Auto de Navidad”
(meeting point: Faculty main entrance
at 8:00 pm. Identity badge and ticket
required)
|
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