| Time |
Place |
Academic
Program |
Social
Program |
| 9:00
- 10:30 am. |
PANEL
SESSION 5 |
|
| Panel
16
Lecture Room
|
Panel
17
Room 2
|
Panel
18
Room 3
|
| Chair:
Miriam López
(35)
Seunghyun Hwang (Ohio State U.): “A
Korean-American’s Self-Reflecting Jokes
of Violence: Focusing on Young Jean
Lee’s Songs of the Dragons Flying
to Heaven”.
(66)
Tamara Underiner (Arizona State U.):
“Violence Averted Only to Return: Re-Reading
the Archive of ‘Pocahontas Plays’”.
(45)
Irma Mayorga (Florida State U.): “Cultural
Contusions: Violence in the Plays of
Cherríe Moraga and Luis Valdez”.
|
Chair:
Ana Zamorano
(17)
Virginia Dakari (Aristotle U., Greece):
“American National Violence and/as the
Cancerous Body (Politic): John Guare’s
A Few Stout Individuals”.
(29)
Raimondo Genna (U. of California, San
Diego): “Terror, Torture, and the Death
of the American Dream in Sam Shepard's
God of Hell.” |
(34)
Noelia Hernando Real (U. Autónoma
de Madrid): “Sane Enough to Kill: On
Women, Madness, and the Theatricality
of Violence in Susan Glaspell’s The
Verge”.
(36)
Emeline Jouve (Toulouse U.): “’Hearing
the Invisible’: Silent Voices &
Invisible Violence in Susan Glaspell’s
Plays”.
(2)
Nieves Alberola Crespo (U. Jaume I,
Castellón): “Identifying the
Effects of Physical and Psychological
Abuse in the Works of Susan Glaspell
and Tennessee Williams”. |
| 10:30–
11:00 am |
Faculty
patio |
Coffee
Break
(identity badge required)
|
| 11:00
-
12:30 am
|
PANEL
SESSION 6
|
Panel
19
Lecture Room
|
Panel
20
Room 2
|
Panel
21
Room 3 |
|
Chair:
Mauricio Aguilera
(6)
Teresa Botelho (U. Nova de Lisboa):
“Pity and Martyrdom: Revisiting Violence
in Tennessee Williams”.
(65)
Laura Torres Zúñiga (U.
de Granada): “’A Few Amenities of Civilized
Behavior’: Violence and Sex in Tennessee
Williams’s Dramas”.
(56)
Dana Rufolo (Luxembourg): “Hints of
Violence in Fear and Madness: Parallels
between Jacob Moreno’s Psychodrama Productions
with Patients in New York and Scenes
of Violence in Tennessee Williams’ Late
Plays”.
(28)
Patricia Fra (U. de Santiago de Compostela):
“The (re) presentation of physical and
psychological violence in southern families:
Tennessee Williams's A Streetcar
Named Desire, Suddenly, Last
Summer and Sweet Bird of Youth,
and their film translations.”
|
Chair:
Sherry D. Engle
(27)
John Fleming (Texas State U.): “American
‘In-Yer-Face’ Theatre: Adam Rapp and
Neil La Bute’s Working Class Dystopia”.
(61)
Susan Harris Smith (U. of Pittsburgh):
“Breaking the Golden Strand”.
(12)
Dorothy Chansky (Texas Tech U.): “The
Violence at the Top of the Stairs”.
|
Chair:
Carmen Fernández
(32)
Isabel Granda Rossi (U. Complutense,
Madrid / U. Felipe II): “Dramatization
of Fiction in Edward Albee’s play
The Ballad of the Sad Café:
The Role of Violence”.
(50)
Carmen Pérez Ríu (U. de
Oviedo): “Who’s Afraid of… Verbal Violence?
The Mise-en-scene of Theatrical Verbal
Violence in Film Adaptation”.
(55)
Matthew Roudané (Georgia State
U.): “Staging Violence: Edward Albee’s
Who’s Afraid of Virginia Woolf?”.
|
1:00
–2:00 pm |
Roman
Theater |
|
1:00
pm
Guided visit to Cadiz
Roman Theater
(meeting point: Faculty main entrance
at 12:30 pm.
Identity badge and ticket required)
|
2:00
pm |
Faculty
of Economics.
Dining room
|
Lunch
(identity badge and ticket required)
|
|
| 4:30
– 6:00 pm |
PANEL
SESSION 7 |
Panel
22
Lecture Room
|
Panel
23
Room 2
|
Panel
24
Room 3
|
|
Chair:
Emeline Jouve
(14)
James M. Cherry (Wabash College): “Speaking
in the Aftermath: Oratory and Catharsis
in the Plays of Anne Nelson”.
(57)
Ilka Saal (U. of Richmond): “The Construction
of Cultural Memory in Post-9/11 American
Drama”.
(11)
Joseph Cermatori (Yale U.): “Will Eno:
A Case-Study in Apocalyptic Violence
and the Contemporary American Baroque”.
|
Chair:
Noelia Hernando
(24)
Marta Fernández Morales (U. de
les Illes Balears): “American Dreams/American
Nightmares: The Ethics and Aesthetics
of Institutional Violence in The
Exonerated”.
(48)
Susana Nicolás Román (U.
de Almería): “When Violence on
Stage Becomes Real: My Name Is Rachel
Corrie”.
(63)
N. J. Stanley (Lycoming College): “Neil
La Bute, Vigilante of Violence: An Examination
of his Trilogy The Shape of Things,
Fat Pig, and Reasons to Be Pretty”. |
Chair:
Nieves Alberola
(53)
José Ramon Prado (U. Jaume I):
“Blurring the Boundaries Between Symbolic
and Actual Violence in 1960s Performance”.
(42)
Nita Kumar (Delhi U.): “Surrealist Violence
in Adrienne Kennedy’s Funnyhouse
of a Negro”. |
| 6:00-
6:30 pm |
Faculty
patio |
Coffee
Break
(identity badge required)
|
| 6:30
– 7:45 pm |
Main
Lecture Hall
(2nd floor) |
Plenary
Lecture
Prof. Cheryl Black,
University of Missouri-Columbia:
“Gender and Violence in American
Drama”
(Chair: Miriam López Rodríguez)
|
| 8:00
– 8:30 pm |
Main
Lecture Hall
(2nd floor)
|
|
9:00
pm |
|
|
9:00
pm
Farewell Dinner
(ticket required;
meeting point: Faculty main entrance
at 8:50 pm)
|
----- |
|
|
Cadiz
La Nuit |