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FINAL PROGRAM
FRIDAY, MAY 29
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Numbers in brackets in the panels correspond with the order in the BOOK OF ABSTRACTS. Check it for further information.

Time
Place
Academic Program
Social Program
9:00 - 10:30 am.
PANEL SESSION 5
   
Panel 16
Lecture Room
Panel 17
Room 2
Panel 18
Room 3
Chair: Miriam López

(35) Seunghyun Hwang (Ohio State U.): “A Korean-American’s Self-Reflecting Jokes of Violence: Focusing on Young Jean Lee’s Songs of the Dragons Flying to Heaven”.

(66) Tamara Underiner (Arizona State U.): “Violence Averted Only to Return: Re-Reading the Archive of ‘Pocahontas Plays’”.

(45) Irma Mayorga (Florida State U.): “Cultural Contusions: Violence in the Plays of Cherríe Moraga and Luis Valdez”.

Chair: Ana Zamorano

(17) Virginia Dakari (Aristotle U., Greece): “American National Violence and/as the Cancerous Body (Politic): John Guare’s A Few Stout Individuals”.

(29) Raimondo Genna (U. of California, San Diego): “Terror, Torture, and the Death of the American Dream in Sam Shepard's God of Hell.”

(34) Noelia Hernando Real (U. Autónoma de Madrid): “Sane Enough to Kill: On Women, Madness, and the Theatricality of Violence in Susan Glaspell’s The Verge”.

(36) Emeline Jouve (Toulouse U.): “’Hearing the Invisible’: Silent Voices & Invisible Violence in Susan Glaspell’s Plays”.

(2) Nieves Alberola Crespo (U. Jaume I, Castellón): “Identifying the Effects of Physical and Psychological Abuse in the Works of Susan Glaspell and Tennessee Williams”.

10:30– 11:00 am
Faculty patio
Coffee Break
(identity badge required)
11:00 -
12:30 am
PANEL SESSION 6
Panel 19
Lecture Room
Panel 20
Room 2
Panel 21
Room 3
Chair: Mauricio Aguilera

(6) Teresa Botelho (U. Nova de Lisboa): “Pity and Martyrdom: Revisiting Violence in Tennessee Williams”.

(65) Laura Torres Zúñiga (U. de Granada): “’A Few Amenities of Civilized Behavior’: Violence and Sex in Tennessee Williams’s Dramas”.

(56) Dana Rufolo (Luxembourg): “Hints of Violence in Fear and Madness: Parallels between Jacob Moreno’s Psychodrama Productions with Patients in New York and Scenes of Violence in Tennessee Williams’ Late Plays”.

(28) Patricia Fra (U. de Santiago de Compostela): “The (re) presentation of physical and psychological violence in southern families: Tennessee Williams's A Streetcar Named Desire, Suddenly, Last Summer and Sweet Bird of Youth, and their film translations.”

Chair: Sherry D. Engle

(27) John Fleming (Texas State U.): “American ‘In-Yer-Face’ Theatre: Adam Rapp and Neil La Bute’s Working Class Dystopia”.

(61) Susan Harris Smith (U. of Pittsburgh): “Breaking the Golden Strand”.

(12) Dorothy Chansky (Texas Tech U.): “The Violence at the Top of the Stairs”.

Chair: Carmen Fernández

(32) Isabel Granda Rossi (U. Complutense, Madrid / U. Felipe II): “Dramatization of Fiction in Edward Albee’s play The Ballad of the Sad Café: The Role of Violence”.

(50) Carmen Pérez Ríu (U. de Oviedo): “Who’s Afraid of… Verbal Violence? The Mise-en-scene of Theatrical Verbal Violence in Film Adaptation”.

(55) Matthew Roudané (Georgia State U.): “Staging Violence: Edward Albee’s Who’s Afraid of Virginia Woolf?”.

1:00 –2:00 pm
Roman Theater
 
1:00 pm
Guided visit to Cadiz
Roman Theater
(meeting point: Faculty main entrance at 12:30 pm.
Identity badge and ticket required)

2:00 pm
Faculty of Economics.
Dining room
Lunch
(identity badge and ticket required)

   
 
4:30 – 6:00 pm
PANEL SESSION 7
Panel 22
Lecture Room
Panel 23
Room 2
Panel 24
Room 3
Chair: Emeline Jouve

(14) James M. Cherry (Wabash College): “Speaking in the Aftermath: Oratory and Catharsis in the Plays of Anne Nelson”.

(57) Ilka Saal (U. of Richmond): “The Construction of Cultural Memory in Post-9/11 American Drama”.

(11) Joseph Cermatori (Yale U.): “Will Eno: A Case-Study in Apocalyptic Violence and the Contemporary American Baroque”.


Chair: Noelia Hernando

(24) Marta Fernández Morales (U. de les Illes Balears): “American Dreams/American Nightmares: The Ethics and Aesthetics of Institutional Violence in The Exonerated”.

(48) Susana Nicolás Román (U. de Almería): “When Violence on Stage Becomes Real: My Name Is Rachel Corrie”.

(63) N. J. Stanley (Lycoming College): “Neil La Bute, Vigilante of Violence: An Examination of his Trilogy The Shape of Things, Fat Pig, and Reasons to Be Pretty”.

Chair: Nieves Alberola

(53) José Ramon Prado (U. Jaume I): “Blurring the Boundaries Between Symbolic and Actual Violence in 1960s Performance”.

(42) Nita Kumar (Delhi U.): “Surrealist Violence in Adrienne Kennedy’s Funnyhouse of a Negro”.

6:00- 6:30 pm
Faculty patio
Coffee Break
(identity badge required)
6:30 – 7:45 pm
Main Lecture Hall
(2nd floor)
Plenary Lecture
Prof. Cheryl Black, University of Missouri-Columbia:
“Gender and Violence in American Drama”
(Chair: Miriam López Rodríguez)
8:00 – 8:30 pm
Main Lecture Hall
(2nd floor)
 Closing remarks
Organizing Committee
9:00 pm
9:00 pm
Farewell Dinner
(ticket required;
meeting point: Faculty main entrance at 8:50 pm)

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Cadiz La Nuit

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Universidad de Cádiz
Universidad de Málaga
Universidad de Sevilla
American Theatre and Drama Society
Universidad de Cádiz
Universidad de Málaga
Universidad de Sevilla
Anerican Theater and Drama Society

Grupo de investigación: Estudios culturales en lengua inglesa (Universidad de Cádiz) Vicerrectorado de Extensión Universitaria (Universidad de Cádiz)

Departamento de Filología Francesa e Inglesa (Universidad de Cádiz)

 

Universidad de Sevilla Grupo de investigación: Estudios Norteamericanos (Universidad de Sevilla)  

Universidad de Málaga Departamento de Filología Inglesa, Francesa y Alemana (Universidad de Málaga)

 
Embassy of the US, Spain Embassy of the United States, Spain Vicerrectorado de Investigación, Desarrollo Tecnológico e Innovación (Universidad de Cádiz)

Ayuntamiento de Cádiz


Delegación Municipal de Turismo

Exmo. Ayuntamiento de Cádiz

Delegación Municipal de Turismo
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